There’s so much promise to his psychotic portrayal and musical themes that you’re yearning to hear more from him - which would also have filled in the near-20-minute gap between certain numbers. the main bad guy would have been better to be the centre of the film, just like the Phantom source material should have proven. That being said, the composers attempt to “tell the story” in song, if only to abandon the more interesting facets of the story in order to provide us with some hipster, gay jokes about musical theatre. So the rest of the score pretty much lingers in droning parodies of Webber (who is already guilty of lingering around the harmonies of Puccini). One gets the feeling that the composers and writers of this film have only really seen one musical: Phantom. She could have at least been used to fill some of the holes in the plot. Waylen I can understand not wanting to pay for Phantom ’s heavy rights, but I’m sure they could have thrown a few bucks Minnie’s way just to keep her on set for another day or two.
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